1910-1935
The Early Years
He dreamed of being a professional baseball player. He tried to blaze a trail in Tin Pan Alley. He ended up studying for a career as an educator. He willed himself into becoming a composer of serious music.
1910
- *William Howard Schuman; parents are Rachel and Samuel Schuman; delivered at 350 West Seventy-First Street, Manhattan (August 4)
early 1910s
- lives in Englewood, New Jersey
late 1910s
- lives in Far Rockaway, Queens
1920
- attends the wedding of Miriam Schurmacher to Henry Heilbrunn; remembers sixty years later the principal song played: “The Love Nest”, lyrics by Otto Harbach, music by Louis A. Hirsch, which was published that year (June 9)
early 1920s
- returns to New York and attends P.S. 165 on 109th St. in Manhattan
- becomes friends with Eddie Marks and Ferd Nauheim
1922
- attends Camp Cobbossee in Winthrop, Maine for the first of six summers as a camper
1923
- Eddie Marks comes to Cobbossee with Schuman
ca. 1923
- his play, College Chums, is given at Speyer Experimental Junior High School
- gives the confirmation speech at Temple Shaaray Tefila
1924
- plays MacDowell’s To a Wild Rose in his public debut as a violinist (May 23)
1925
- travels to France with other NYC schoolboys as guests of the Department of Education in Paris and the Committee Accueil des Étudiants
ca. 1926
- forms Billy Schuman and His Alamo Society Orchestra
- Three Songs without Words for Violin and Piano
1927
- composes a tango for Cobbossee’s Monster Minstrel Show (August)
1928
- graduates from George Washington High School (January)
- enrolls at New York University (February)
- It’s Up to Pa for Cobbossee (with Marks); several songs are published by Marks Music, including I Want To Be Near You (August)
1929
- withdraws from NYU in the spring due to poor academic performance (February–March)
- works at Paramount Advertising Service (“Creator of Advertising Ideas”)
- works as Music and Dramatic Teacher at Cobbossee (summer; also in 1930)
- This Business Of Loving You (with Marks)
- begins harmony lessons with Max Persin at the Malkin Conservatory of Music (ca. fall)
1930
- hears his first New York Philharmonic concert (April)
- writes to Marks: “If we want to get any place in the song business together, this summer is the time to start.” (May)
- Lovesick (with Marks) (November 15)
- works at Edward B. Marks Music Corporation as composer and arranger
- Where The Grass Grows Green (with Frank Loesser)
- Doing the Dishes (with Loesser)
- Once More
1931
- From Dusk To Dawn (with Leonard Silver) (May 29)
- With All Due Respect (musical; with Marks et al.)
- In Love With A Memory Of You (with Loesser) (October 29)
- goes on a double date with Ferd Neuheim; Bea Strasburger and Frances Prince are the women
1932
- Waitin’ For The Moon (January 28)
- God’s World (Edna St. Vincent Millay) (June)
- enrolls in courses at the Juilliard Summer School (orchestration; advanced theory)
- submits a guest column for the Camp Cobbossee newsletter
- participates in the Special Supervisors’ Orchestra of the Institute of Musical Art of the Juilliard School of Music
- Potpourri (Impressions of Bohemian Life) (October 1)
- Adoration (a setting of the Aleinu from the Union Prayerbook for Jewish Worship) (October 24)
- begins counterpoint lessons with Charles Trowbridge Haubiel (November 3)
1933
- Cradle Song for piano solo (dedicated to the firstborn of Hazel S. and Sidney M. Wittner) (January 31)
- Cinq petits préludes à deux voix for piano solo (Jean Carolene Marks) (April 1)
- Selection for String Quartet Parts I & II (May 2)
- Canon (IV) (with Introduction and Coda) for piano solo (June 25)
- enrolls in courses at the Juilliard Summer School (advanced conducting; brass instruments; chorus)
- Four Canonic Choruses (Millay, Countee Cullen, Carl Sandburg, and Alfred Lord Tennyson) (July 11–February 16, 1934)
- works at Camp To-Ho-Ne, Great Barrington, Massachusetts
- enrolls at Teachers College (Columbia University)
1934
- Canon and Fugue for violin, cello, and piano (January)
- completes counterpoint lessons with Haubiel (April)
- Pastorale no. 1 (April 1)
- works as counselor at Brant Lake Camp, Lake George, New York, where Fair Enough (“a revusical presented by the Brant Lake Players of 1934”) is performed; last time he writes popular songs
- Pastorale no. 2 (November 1)
1935
- Choreographic Poem for Seven Instruments (March 1)
- Sonnet (Millay) (April 1)
- At Daybreak (Walter Conrad Arensberg) (before May 3 recital)
- accepts position at Sarah Lawrence College (June)
- completes Bachelor of Science (Music) degree
- takes a summer course in conducting at the Mozarteum in Salzburg, Austria; mezzo-soprano Risë Stevens is at the Mozarteum with Schuman
- Symphony no. 1 (composed mostly in Austria)